This song is composed in the mayamalagowla raagam. This ragam is one of the basic ragas. Early lessons (sarali varisai, etc.) are set in this rAga, according to a tradition established by Purandara DAsa. It is a melakrtha ragam which means that it is not derived from any other ragam. 

Some film songs based on this ragam are:

kaNNin maNiyE (manadil urudi vEnDum)
kuyilappuDicu kUndiladaithu (cinna tambi)
madura marikkolundu vAsam (enga Uru pAttukkaran)
masaru ponnE varuga (dEvar magan)

This raagam has the same name in the Dikshitar (asampUrna mela) system 

Ragam: Mayamalavagowla (15 melakartha)
Aa: S R1 G3 M1 P D1 N3 S
Av: S N3 D1 P M1 G3 R1 S
Talam: Rupakam
Language: Sanskrit
Composer: Swati Tirunal 

Pallavi:

Deva Deva Kalayamithe Charanambuja Sevanam 

Anupallavi:

Bhuvana Trya Naayaka Bhuri Karunayaa Mama

Bhavathaapam Akhilam Vaaraya  Ramaakantha 

Charanam:

Jaata Rupa Nibha Chela  Janmaarjitha Mamaakhila

Pataka Sanchaya miha Vaaraya Karunaya

Dithijaali Vidhalana Deenabandho Maamava

Sritha Vibhudha Chaala Sri Padmanaabha Shoure

Meaning: From TK Govinda Rao’s Book

Pallavi: Oh Lord (“deva”) of the celestials (“deva”)! I pay obeisance (“sevanam”) at your lotus-like (“ambuja”) feet (“charana”).

Anupallavi: Oh sovereign (“naayakaa”) of the three (“traya”) worlds (“bhuvana”)!

Please do obliterate (“vaaraya”)  all (“aakhilam”) the miseries (“taapa”) of this worldly life (“bhava”) by your infinite (“bhuri”) compassion (“karunayaa”).

Oh Ramaakaantha – the husband (“Kaantha”) of Lakshmi (“Ramaa”) !

Charanam: You (“chela”) are adorned (“nibha”) with a golden raiment (“Jaata”).
Please obliterate (“akhila”) the sins (“paataka”) I have accumulated (“arjitha”) in my previous births (“janma”) you your grace. You vanquished (“vidhalana”) the clan of demons (“dithi-jaali”). You are the refuge (“bandho”) for the dejected ones (“dheena”) and the celestials (“sritha vibudha”). Please protect me (“maamava”). Oh Lord Padmanabha Saure! 

The notes are as follows:

Pallavi: 

1. S ;       R – R       G M        || P P       ppmg      M – P     ||

    De       va De     -   va        Ka la     yaa—     mi    the

; pd         , P ,          P pm       || mgmg mp- gm g – rs n   ||

Chara     nam       bu ja-      Se- – -   va-   nam–   – - -

2. S ;       R – R       G M        || P P       ppmg      M – P     ||

    De       va De     -   va        Ka la     yaa—     mi    the

; nd         , P ,          P pm       || mgmd                 pm- gm g – rs n   ||

Chara     nam       bu ja-      Se- – -   va-   nam–   – - -

3. S ;       R – dp    mg M     || P P       ppmg      M – P     ||

    De       va De     -     va      Ka la     yaa—     mi    the

; nd         , P ,          P pm       || gm Pdp   Mpm- gm  g – rs n            ||

Chara     nam       bu ja-      Se- – -        va-   nam–   – - -

4. S ;       R – dp    mg M     || pdmp gmpd      N  -  S     ||

    De       va De     -     va      Ka la     yaa—     mi    the

sngr         snD         P M         || gm Pdp   Mpm- gm  g – rs n            ||

Chara     nam       bu ja-      Se- – -        va-   nam–   – - -

5. S ;       R – dp    mg M     || pdmp gmpd      N  -  S     ||

    De       va De     -     va      Ka la     yaa—     mi    the

srgm       grsn         pdpm     || gm Pdp   Mpm- gm  g – rs n            ||

Chara     nam       bu ja-      Se- – -        va-   nam–   – - -

6. S ;       R – G      ;     M      || P P       ppmg      M  ;         ||

    De       va De     -     va      Ka la     yaa—     mi

,d pmP   ; ;            ; ;            ||   ; ;       ; ;            ; ;            ||

the 

Anupallavi: 

1. ; pd     , P ,          M   P       ||  ppmg  M – P     ; ;            ||

   Bhuva   na         Tra ya       Naa — ya   ka

2. ; nd     , P ,          mp dp    ||  ppmg  M – , d   pmP ;     ||

   Bhuva   na         Tra ya       Naa — ya      -  ka

gm P       P – mp   dp D       || pd N    D – N      , S  ,         ||

Bhu –      ri   Ka-   ru- na        yaa –     -   Ma    ma

3. , r-  n d     , P ,    mp mpdp ||  ppmg  M – P ; ;      ||

    – - Bhuva   na   Tra ya        Naa — ya     ka –

gm pm   P – mp   dp D       || pd N    D – N      , Srs n     ||

Bhu –      ri   Ka-   ru- na        yaa –     -   Ma    ma

4. dn-  n d     , P ,   mp mpdp ||  , pmM g M – , d   pmP ;         ||

    – - Bhuva   na   Tra ya        Naa —     ya          ka –

gm pm   P – mp   dp D       || pd N    D – N      , S ,          ||

Bhu –      ri   Ka-   ru- na        yaa –     -   Ma    ma

; S           S  – sn     gr  S        || ns , d    N  ;          S ;           ||

Bha        va  thaa–     pa        maa -   khi -     lam

; S           S –sn      gr  S        || Srs sd   N  ;          S ;           ||

Bhava    thaa–     –   pa        maa   khi –            lam

S ;           snD         P , m       || mgmd pm- gm  g – rsn    ||

Vaa        ra–          ya —         Ra- maa- –   kan- -   tha–

 Charanam 

; P           M – mg  R – sn      || S R       mgrg       , M ,        ||

  Jaa        ta     Ru- -     pa-    Nibha   Che–          la 

; P           M – gm  g – rsn    || S R       mgrg       , M ,        ||

  Jaa        ta    Ru- -     pa–    Nibha   Che—         la 

; gm        , P ,          D P          || dM;d- pmM  , mg   p- mgr              ||

  Jan        maar      jitha          Ma —    maa–  khi – -   la –

gm -pd   mp – gm                g – rsn    || S pd     pmM , g M ;          ||

–   Jaa    ta    Ru- -     pa–    Nibha   Che—        la 

; gm        , P ,          D P          || dM;d- pmM – m g   pm gr   ||

  Jan        maar      jitha          Ma —    maa–  khi – -   la –

; gm        , gR         S , n        || R S       S rg         rg rsS      ||

  Pa-          taka      San-          chaya   mi–        –  ha –

; S           r G r        G ;           || ; mg     pm gr      R S          ||

Vaa        – ra –        ya –              Ka-    ru- – -      naya

a) ; p   d                 , P ,          P – md   || ppmg   M – P     ; ;            ||

      Dithi   jaa        li   Vi-        dha—   la     na  – -

b) ; n   d , P ,          P – md   || Pdp mg M – , d   pmP ;    ||

  Dithi       jaa        li   Vi-        dha—     la      -    na  – -

gm  P      P – mp   dp  D      || pd N    D – dn    , S ,          ||

Dee –       na   ban   — dho      Maa-     -    ma     va

c) ; n   d , P ,          P – md   || Pdp mg M – , d   pmP ;    ||

     Dithi    jaa        li   Vi-        dha—     la      -    na  – -

gm  pm P – mp   dp  D      || pd rs    nd – dn , S ,          ||

Dee –       na   ban   — dho      Maa-     -    ma     va

x) ; S       S – sn     gr   S       || sn D     , d N        S ;           ||

     Sri      tha Vi     bhudha    Chaa-      la –       Sri

y) ; S       S – sn     gr   S       || Srs , d  , d N        S ;           ||

     Sri      tha Vi     bhudha    Chaa-      la –       Sri

S ;           s  r – sn   D – pm   || gm pd  pm – gm   g – rs n  ||

Pa           dma  naa- -    bha    Shou–  – -     re- -      – - -

z) ; S       S – sn     gr   S       || Srs , d  , d N        S ;           ||

     Sri      tha Vi     bhudha    Chaa-      la –       Sri

srgm       g  r – sn dp – dn   || r s n – d  p m – gm   g – rs n  ||

Pa           dma  naa- -    bha    Shou–  – -        re- -      – - -

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Song : Shankari Neeve
Ragam: begada
Aa: S G3 R2 G3 M1 P D2 N2 D2 P S
Av: S N3 D2 P M1 G3 R2 S
Parent ragam: Dheera shankarabharanam (29^th mela)
Talam: rupakam
Composer: Subbaiyya Shastri
Language: Telugu 

I dint get the full song as sung by Priya sisters on the internet. So I have put in the notes and the last part of the charanam from what I heard…in case  someone feels the words are not exactly correct, please correct me.

 Lyrics: 

pallavi  

shankari nIvE (amba) shankari nIvani ninnu santatamu kOri vacciti 

anupallavi  

sankaTamu dIrcci brOcuTaku inkevarunnAru ilalO pankaja sambhava sannuta

pAlincu kAmAkSi shrI kAnci sadana suradana rAkA shashi vadana rAvE

kOkila nibha mrduLagadana kOrina varamu losagipuDu parAku

saluparAdu bhAramA parama krpAnidhivi 

Chittaswaram 

R , , S, , s n d p s s g r ||

G , , M , , d p m p g R s ||

S s n d p s n r s g r G m p ||

d p s n  r s m g r S r n d p m ||

, m g r s S r n d p M g r s ||

caraNam  

kanakAdri sadana dIna jana rakSakiyanucu sanakAdi munulella bhajana sEyu cuNDaganu

munu mukuni brOcinadellanu cAla vini vacciti vinumA ghanamA ninu namminavADanu rakSimpa|| 

Shri kaanchi sadhana suradhana

Raa kaa shashi vadhan rave

Kokila nrupam rudhu kadhanana korina

Varamulu sakhi pudu paragu salu paraagu bhaaramam

Parama krupa nidhivi|| 

You could listen to the song on musicindiaonline.com or you can listen to M L Vasanthakumari at http://music.galatta.com/entertainment/music/songs/alphaid/C/albumid/285/movie/Classical%20Greats%20Dr.M.L%20Vasantha%20Kumari.html

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You can listen to Bombay Jayashree sing it at http://ww.smashits.com/music/carnatic/play/songs/7050/POPULAR-DEVI-KRITHIS/64540/KANCHADALAYADAKSHI.html

The ragam is the same as Shankaramabhirami (post can be read at http://allyouwannaknow.net/musicandme/2009/08/31/shankaram-abhirami-kamalamanohari/)

Song: Kanjadalayadakshi
Ragam: Kamalamanohari
Aa: S G3 M1 P N3 S
Av: S N3 D1 P M1 G3 S
Parent ragam: Sarasangi (27th melakartha)
Talam: Aadi
Language: Sanskrit
Composer: Muthswamy Dikshitar

Lyrics (from karnatik.com)

pallavi

kanjadaLAyatAkSi kAmAkSi kamalAmanOhari tripurasundari

anupallavi

kunjaragamanE maNimaNDita manjuLacaranE mAmavashiva panjarashuki paNkajamukhi guruguha ranjani duritabhanjani niranjani

caraNam

rAkA shashivadanE suradanE rakSitamadanE ratnasadanE shrIkAncana vasanE surasanE
shRNgArAshraya mandahasanE EkAnEkAkSari bhuvanEshvari EkAnandAmRtahari bhAsvari EkAgramanOlayakari shrIkari EkAmrEsha gRhEshvari shaNkari

MEANING:

O KAMAKSHI! One who has large eyes (“akshi”) like lotus (“kancha”) petals (“dalaya”), the dear one  (“manohari”) to goddess LAKSHMI (“kamala”). You are the Tripura Sundari!

Her gait (“gamane”) is majestic like that of an elephant (“kuchera”) and her feet (“manjula charane”) are adorned (“manditha”) with gems (“mani”). She is the parrot (“sukhi”) held in the cage (“panchara”) of the form of SIVA. She is the lotus-eyed (“pankaja mukhi”) one, delights (“ranjani”) Guruguha and destroys (“bhanjani”) all afflictions (“duritha”). She is the spotless one (“Niranjani”).

Her face (“vadane”) is radiant like that of an autumnal (“raka”) full moon (“sashi”) and she has beautiful (“su”) teeth (“radhane”). The protector (“rakshita”) of Cupid (“Madane”). She presides over the gemset  (“rathna”) palace (“sadane”), adorned in golden raiment. She speaks mellifluously and sports a gentle (“manda”) smile (“hasane”) full of love (“sringaaraashraya”). She is of the form of single (“eka”) as well as many (“aneka”) mystic syllables (“akshari”). The goddess of this world (“bhuvaneshwari”), the ever flowing (“eka”) stream of bliss (“ananda amrutha”), the lustrous one (“Bhaswari”), she attaches herself (“hari”) to those who worship her with steadfast devotion (“Ekaagra Manolaya”) . She is the bestower of prosperity (“srikari”) and illumines the abode (“gruheshwari”) of EKAMRANATHA. She is goddess SHANKARI

You can find the swaram notations at http://www.ecse.rpi.edu/Homepages/shivkuma/personal/music/kanchadalayatakshi.htm

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Song: vatapi ganapathim
Ragam: Hamsadwani
Talam: Aadhi
Aa: S R2 G3 P N3 S
Av: S N3 P G3 R2 S
Composer: Muttuswaamee Dikshitar
Language: Sanskrit
parent ragam: Dheera Shankarabharanam(29th melakartha)

Lyrics:

pallavi

vaataapi gaNapatim bajEham |
vaaraNaasyam varapradam shree ||

anupallavi

bootaadi sam sEvita caraNam |
boota bowdika prapanca baraNam ||
veetaraagiNam vinata yOginam (shree) |
vishva kaaraNam vigna vaaraNam ||
(vaathapi)

caraNam

puraa kumba sambhava munivara prapoojitam |
trikONa madya gatam |
muraari pramukaat yupaasitam |
moolaadhaara kshEtraa stitam |
paraadi sattvaari vaakaatmagam |

praNava svaroopa vakratunDam |
nirandaram niDala candra kaNDam |
nija vaamakara vidrutEkshutanDam |
karaambuja paaSa beejaapooram |
kaloosha vidhooram bootaahaaram |
haraadi guruguha tOshita bimbam |
hamsadhwani booshita hErambam ||
(vaathapi)

You can list to M S sign this song at http://www.youtube.com/watch?v=dG1v8PccduI

Meaning

I sing in praise of the lord Ganapathi, who has the face of an elephant, and who fulfills everyone’s  wishes. All the living beings worship his feet.
He is beyond the past, the future and the universe, comprising the five cosmic elements. He is devoid of passion, and is invoked by the yOgis 
He is the cause of the  creation of the world and he removes all obstacles.

He was worshiped by  saint Agastya 
He resides in the middle of the  mystic triangle. He is prayed to by the prominent gods, vishnu and others. He resides in the cosmic circle. He represents the four forms of speech, beginning with parA. His trunk is curved in the form of the sacred syllable Om.
He is eternal, and his forehead bears the crescent moon. In his left hand he carries the stack of  sugar cane. He also carries a noose and a pomegranate fruit in his lotus-like hand. He is of a gigantic form, and he is faultless. He is hEraMba, and his figure is adorned by  hamsadhwani rAgam.

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I have blogged before about this ragam in the song Bramham okkate..Tis raagam is supposed to be a morning raagam…

now to the song…..

Song: Sriman narayana
Ragam: Bowli
Talam: Aadhi
A: S R1 G3 P D1 S
Av: S N3 D1 P G3 R1 S
Parent Ragam: Mayamalavagowla
Composer: Annamacharya
Language: sanskrit

You could listne to MS Subbalakshmi at http://www.youtube.com/watch?v=ciSJucB7LYU

Lrics and menaing taken from karnatik.com

Lyrics:

pallavi

shrIman nArAyaNa shrIman nArAyaNa
shrIman nArAyaNa nI shrIpAdame sharaNu

anupallavi

kamalAsati mukhakamala kamalahita
kamalapriya kamalekShaNA
kamalAsanahita garu.dagamana shrI
kamalanAbha nI padakamalame sharaNu

caraNam

parama yogijana bhAgadheya shrI
paramapuruShA parAtparA
paramAtmA paramANurUpa shrI
tiruveN^kaTagiridevA sharaNu

Meaning:
Oh, Auspicious Narayana, I seek the shelter of your auspicious feet.

Oh, one whose wife is KamalA (Lakshmi sitting on lotus), having the face of a lotus, one who tends lotus, one who likes lotus, one with eyes like lotus,

Oh, one in lotus posture, one who rides the eagle Garuda,

Oh, one with a lotus on his navel, I seek your lotus feet.

One who brings good fortune to great yogis

One the supreme soul beyond, Oh one who has the shape of an atom (or one who gives substance to an atom)

Oh, God of Thiruvenkata mountains, I seek your feet.

Shreeman- auspicious, venerable, pAdam- feet, sharanam Ð seek feet, surrender

Kamala - lotus, sati- wife, mukha- face, hita- welfare, tending, priya- lover, akshi- eye,

Aasana- posture, seat, – garudagamana- going on Garuda, nAbha- navel,

Parama- supreme, beyond, bhagya- fortune, deya- giver, atmA- soul, aNu- atom, giri , deva- god,

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Not a very famous song for me…..struggled to learn it…had a number of breaks when I was learning this song….So not really fond of it

Song: Janani paahi
Raagam: Shuddha Saveri
Talam:  Thriputa
Parent raagam: Dheera shankarabharanam (29th melakartha)
Aa: S R2 M1 P D2 S
Av: S D2 P M1 R2 S
Composer: Swathi thirunal

Lyrics:

pallavi

jananI pAhi sadA jagadIshe dEvi

surahara vallabhe

anupallavi

anavadya taranava hArAlaMk.rte ma~nju-

vanajAyata lOcane vAhinItaTa vAse

caraNaM

shaila rAja tanaye caNDa muNDa nAshini
shUla shobhitakare sundararUpe
phAlarAjitilake paramak.rpAvati
pAlitasujanamAlike sura-
sAlakisalaya cArunijapAde ||1||

mahitabAhubalamahishhAsurAdi-
gahanadahanAyite gatamadasevye
suhasitajitakunde shoNajapAdhari
vihara mama h.rdi vidhusad.rshamukhi
bahaLamalayajabandhure loka- ||2||

paramapAvana shrI padmanAbhasahodari
nIlacikure kesarivaravAhe
caritaduritabhaktadaranikare gauri
kuru k.rpAM mayi kalishadharamukhapariNute
ghanaduritah.rtilole ||3||

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Song: Nannu kanna thalli
Ragam: Sindhu Kaanada (also known as kesari sindhu kaanada)
Talam: DeshAadhi
Aa: S R2 G3 M1 P M1 D1 P D1 S
Av: S D1 N1 D1 P M1 G2 R2 S
Parent ragam: maararanjani janya (25th melakartha)
Composer: Thyagaraja
Language: Telgu

lyrics

pallavi

nannu kanna talli nA bhAgyamA nArAyaNi dharmAmbikE

anupallavi

kanakAngi ramApati sOdari kAvavE nanu kAtyAyani

caraNam

kAvu kAvumani nE morabeTTagA kamala lOcani karagu cuNDaga
nIvu brOvakuNTE nevaru brOturu sadA varambosagu tyAgarAjanutE

Meaning

O Mother who bore me! O My Fortune! O nArAyaNi! O dharmAmbikE! O Mother whose limbs are golden hued! O Sister of vishNu! O kAtyAyani! O Lotus Eyed! O Mother who always grants boons – praised by this tyAgarAja!

Please protect me;

While I entreat You again and again to protect me and (I am) dissipating, if You remain without protecting me, who else will protect?

found the meaning at http://thyagaraja-vaibhavam.blogspot.com/2008/02/thyagaraja-kriti-nannu-kanna-thalli.html

you could also find the same song in the scripts of different indian languages in this link.

You can listen to Nithyashree singing this at http://www.esnips.com/doc/0d12addb-aeb1-442d-9ddf-aa1cf60d7281/Nityasri—Nannukannathalli

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Now I realize it is a really nice song.

I found a lot of lyrics to this song…. I have learnt only the charanam 2 in the lyrics mentioned below.
Also there seem to be a lot of variants of the words that are used. Never seen it before. But just so the readers get all the information… I am not cutting down on anything. Lyrics taken from karnatik.com

Thyagaraja has depicted nava vida bhakthi (9 types of devotion) in his compositions. This song depicts the athma nivedhanam (self surrender)

The movie song azhagana rakshasiye from the movie mudhalvan is in this ragam. Some other famous movie songs in this ragam are nada vinodangal, china kannan azhaikiran

Another keerthanam is raaga rathna….a thyagaraja composition in this ragam.

Now back to nannuvidachi………..

Ragam: Reethigowla
Talam: mishra chaapu
Aa: S G2 R2 G2 M1 N2 D2 M1 N2 N2 S
Av: S N2 D2 M1 G2 M1 P M1 G2 R2 S
Parent ragam: Karaharapriya (22nd melakartha)
Composer: Thyagaraja
Language: telgu

Lyrics:

pallavi

nannu viDaci kadalakuraa-
(1)raamayyavadalakuraa

anupallavi

ninnu baasi yara
nimishamOrvanuraa

caraNam 1

(2)taramu gaanu yeNDavELa kalpa-
taruneeDa doriki(3)naTlaaya eevELa

caraNam 2

abdhilO munigi SvAsamu baTTi
ANi mutyamu gannaTlAya SRI ramaNa!

caraNam 3

vasudhanu (4)ghananamu cEsi dhana-
bhANDa mabbina rIti kanukoNTi dAsi

caraNam 4

vaDalu tagiliyunna vELa goppa-
vaDagaNDlu gurisi#natlAya I vELa

caraNam 5

bAgugA nannElukOrA vara-
tyAgarAjanuta! I tanuvu nIdErA (sompu)

Alternate words
1 – rAmayya rAma! kOdaNDarAma! kalyANarAma! paTTAbhi-rAma!
2 – taramu gAni
3 – AyE vELa
4 – khananamE

Meaning:
Dear Rama! Do not leave me or let me down. I cannot stand separation from you even for a second. Today I feel like one burned by the fierce rays of the sun who has found the shade of the Kalpaka tree for rest. Spouse of Lakshmi! I feel like I have found a pure pearl, serene after a deep dive into the sea, controlling my breath to its furthest. I found you today as if I found a treasure while digging in the earth. I experience the relief of a hail storm on a hot day. This body of Tyaagaraaja is in your possession. Accept it, O Lord, with your usual grace.

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This is the last song I learnt from Mami…..one of my greatest gurus…the lady who actually taught me that what i was doing initially was not called singing

Strangely… I see that karnatik.com says it is a Janya ragam from Harikambhoji (28th melakartha). But I have always learnt that it is derived from Shankarabharanam.

Song: Gopika Manoharam
Ragam: Mohanam
Talam: Aadhi
Aa: S R2 G3 P D2 S
Av: S D2 P G3 R2 S

Lyrics

pallavi

Gopikaa manoharam bhajeham
govardhana giridharam suravaram muraharam

samashti CaraNam

Taapasa hridaya vesham ramesam
taapaarthihara vinutham natha chaturam
Gopaalam kousthubamani bhusham kamsa haram kaamithya mrithu bhaasham
aparaarjitham ananta vedagosham amaresanuta guruguha santosham

Meaning
Address to Lord Krishna
Beloved of Gopis, I pray to him( Lord Krishna). Lifted Govardhana mountain to protect gokulam. Bestower of boons to demigods and killer of demon Mura.

Pretends to be longing for Gopis. Lord of Sun. Adored by people who gave up material pleasures and people who are intelligent.

Protector of Gokulam. Wears necklace beheaded with Koustuba mani
( precious jewel stone). Killer of demon Kamsa. Has sweet spoken tongue. Giver of supreme wealth. Adored by all endless vedas. Prayed by Lord of demigods. Keeps Lord Shanmukha happy.
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Other songs in this ragam are Evarura,nammama Sharadhe,ninnukori(varnam), Maanika vinayendhum
Some movie songs in this ragam are ninnukori varnam from agninakshtram, paadum podhu naan from Sumathi yen Sundari

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I learnt this as the Kamalamanohari ragam…..but I see that some of them say it is manohari ragam….
according to Karnatik.com these are two different ragams….derived from 2 different ragams.
 I will put down what I have learnt and what I think is right….it is up to the reader’s discretion to take it.

Ragam: Kamalamanohari
Talam: Rupakam
Composer: Dikshitar
Aa: S G3 M1 P N3 S
Av: S N3 D1 P M1 G3 S
Parent Ragam: Sarasangi (27th melakartha)

Lyrics

Pallavi:
shankaram abhirAmI manOharam
shashidharam amrta ghaTEshvaram bhajEham
shankAbhiSEka gAtram saccidAnanda mAtram

Samashti Charanam:
pankajAsnAdi pUjitAbja padam
bhakta mArkaNDEy-AyuSpradam
bhayankara ghOra rUpadhara yama nigrahAnugraham
pankajamukha guruguha paripAlam krpAlavAlam

Chittaswaram:
S n d p P m g s G||, S g s m g p m d p n||
s G s n d p m p N d|| p m g s s G s g m p n||
s n d p g m n d p m g s||g n s g m p g m p n s g||
m G S n D  P m g|| , S p n s g m p n s g||

you can listen to it online at http://www.musicindiaonline.com/p/x/b4b2GYPye9.As1NMvHdW/?done_detect

Another beautiful songs in this ragam is Kanchadalayadhakshi…..another devi song…a composition of Dikshitar…will have a separate post for this song.
The ragam is really catchy… I am sure you will be attracted to it….try it!!

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